Ipepo, original coloured pencil drawing by Alireza Hemadani, 2026
Ipepo 21 × 30 cm  ·  2026

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No. 01  /  2026  ·  Hemadani Originals

Ipepo.

Caran d'Ache Luminance · Bristol board  ·  21 × 30 cm

Unique work  ·  Signed and dated  ·  Certificate of authenticity

0hours of drawing

Available to collect

Ipepo means "wings" in Guaraní. He is a wild jaguar of the Brazilian Pantanal, and of the 22 individual jaguars we saw across six days of boat drives, he was the one I couldn't stop thinking about. Something about him stood out. He was beautiful, calm, impossibly photogenic, and somehow he felt familiar, as though I already knew him before I'd ever raised my camera.

The jaguar has always been my spirit animal. I was drawn to big cats from a young age, long before I understood why. On a group meditation weekend, in a trance state, the animal that came to me was, without hesitation, a jaguar. So when I sat down in 2020 to make one of my very first coloured pencil pieces, the subject chose itself. I drew a jaguar from a reference I found online, never having seen one in the wild.

Alireza Hemadani's first jaguar drawing, 2020, one of his earliest coloured pencil works The first jaguar  ·  2020  ·  one of my earliest coloured pencil works
Progress photograph of the first jaguar drawing showing its scale Midway, a hand in frame shows the scale of that first piece

Years later I travelled to the Pantanal with my wife, an award-winning wildlife filmmaker known as Roxy the Zoologist, who leads small-group wildlife photography tours there. It was my first time in Brazil. For a week we lived on the river, heading out by boat each day among caiman, capybara and birds, watching for the cats that make the Pantanal the best place on earth to see wild jaguars.

Alireza Hemadani and Roxy the Zoologist on a boat at sunset in the Pantanal, Brazil On the river at sunset  ·  the Pantanal, Brazil

Then, on one of those boat drives, I spotted a jaguar on the bank. It was Ipepo, a male Roxy had photographed before and grown fond of. To find him, and to recognise him, felt like the whole trip had been quietly building to that one moment. I had drawn a jaguar before I'd ever seen one, and now here I was, face to face with this particular wild individual, in the place my wife knows best.

Wild jaguar Ipepo photographed in the Pantanal by Alireza Hemadani Ipepo in the wild  ·  the photograph I took the day I spotted him

I decided to draw him. A jaguar's rosettes are like a human fingerprint, no two individuals share the same pattern, and the markings are how researchers tell one cat from another. Getting them right was the heart of the work: every spot placed exactly where it sits on the real animal, so that this is unmistakably Ipepo and no other jaguar. The portrait took me around forty hours.

In progress

Where the first jaguar was drawn alone, from a borrowed image, Ipepo was drawn from a moment I lived: a real animal, in a real place, found on a journey I shared with the person who brought me into that world. Wings, fittingly, for a piece about how far the work has carried me.

From the river bank to the drawing  ·  drag to compare

Ipepo, the finished coloured pencil drawing
Ipepo the wild jaguar, the reference photograph by Roxy Hemadani, the Pantanal
The photograph  ·  Roxy HemadaniThe drawing  ·  40 hours
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