An illustrated cover concept · Hand-drawn · In development
Eight novels, reimagined as hand-drawn coloured-pencil covers, with one continuous illustration across their sprayed edges, revealed only when the set stands together. A proposal, made in admiration, for an official collector's edition.
The concept
This project began with my wife. She reads at a pace I can barely keep up with, around a book every two or three days, and of everything she reads, the Throne of Glass series, TOG to its readers, is the one she loves most. It was her idea that I draw a cover for each of the eight books.
So that is the proposal: eight covers, every one drawn entirely by hand in Caran d'Ache Luminance coloured pencil, in the same fine-art practice behind my gallery work. Each would draw on the world of the books, its scenes, its characters and its mythical creatures, built slowly, layer over layer. And one idea ties the whole set together: a single illustrated landscape running across all eight sprayed edges, so the complete image appears only when the books are lined up in order on a shelf.
I'm drawing the series now, one cover at a time. This is the concept, a starting point for a conversation about bringing it to readers officially.
Covers complete · the rest in progress
The approach
Medium
Caran d'Ache Luminance coloured pencil
Surface
A5 Bristol board · 14.8 × 21 cm
Per cover
≈ 30 hours of drawing, plus planning & sketching
Drawn from
Scenes, characters & mythical creatures of the books
Every cover is an original, one-of-a-kind drawing, the same hand and the same hours behind my collected fine-art pieces.
The eight books
The sprayed edges
A single scene would run across the fore-edges of the set, resolving into one image only when all eight books stand together in order, the signature detail of a true collector's edition. The final edge artwork is still to be drawn; the sketch below is indicative of the idea, not the finished piece.
Indicative concept · final artwork to be drawn
Why a special edition
Readers of this series rarely stop at one copy. Special editions, with their foiled covers, character art and sprayed edges, have become a category of their own, and the most beautiful limited runs tend to sell out quickly.
A fully hand-drawn set, carrying an illustration that completes only when all eight books stand together, is made for that shelf, and for the kind of reader who wants to own the whole world, not just the story.
How it could work
This is a starting point, not a fixed plan. A few of the shapes a collaboration could take:
License
The eight covers and the continuous edge illustration, for a limited or special edition.
Originals
The hand-drawn artworks are available to acquire.
Production
High-resolution files, prepared and ready for print.
To your brief
Scenes, trim, format and edge treatment, shaped with your team.
Whatever the format, every cover stays an original, hand-drawn piece.
An invitation
This series is an independent labour of love, made in admiration of the books. If you are Sarah J. Maas, Bloomsbury, or a special-edition publisher, and a hand-illustrated, sprayed-edge collector's edition is something you'd like to explore, I would be honoured to share the full concept and the finished covers as they grow, and to discuss licensing the artwork for a limited or special edition.
Start a conversationstudio@hemadani.com
Register your interest
If a hand-drawn, sprayed-edge special edition is something you would want on your shelf, leave your email. I will share progress as the covers are finished, and let you know first if an edition becomes available.
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